A sample from
Gloves Off
The brawl was up on the big screen when Rourke walked in, and Deb Yun had it set to loop.
He knew that before he'd cleared the doorway, because he heard the tinny broadcast audio start over from the top — the announcer's voice climbing into that delighted, scandalized register, and here we go, folks — and then the wet crack of a glove landing, and then his own name, and then the loop stitched itself shut and began again. She wasn't watching it. She was watching him watch it, which was the whole point.
The front-office conference room was on the fourth floor, all glass and pale wood, warmer than the rink by thirty degrees and somehow twice as cold. Beyond the window the inlet lay flat and grey under a sky the color of a healing bruise, and a plow was scraping the parking structure two levels down, back and forth, back and forth, a sound he'd have found soothing anywhere else. There was a carafe of coffee on the table nobody was going to drink and a bowl of clementines nobody was going to eat and a single manila folder squared to the table's edge like it had been laid there by a level.
Rourke did not sit. He'd learned a long time ago that the ones who wanted you to sit were the ones about to take something, and you could make them work a little for it by staying on your feet.
"Delaney," Deb said. She was forties, Korean-American, in a charcoal suit with a collar so sharp it looked like it could open mail, her bob cut to a line that didn't move when she turned her head. She had the good manners to sound tired rather than triumphant. "You want to sit."
"I'm good."
"You want to sit," she said again, in the exact same tone, and it wasn't a suggestion the second time. He pulled out a chair.
On the screen his past self went again into the boards. It was ugly footage. It was — he could admit this, privately, to the small honest part of him he kept behind everything else — spectacular footage. A bench-clearing scrum against Vancouver, third period, a game already lost, and forty seconds of two teams deciding to stop pretending they were professionals. He was in the middle of it because being in the middle of it was his job, the thing they paid him to be: the big rust-haired body that arrived when a teammate got run, the enforcer the broadcast liked to cut to because he had a face that reddened dramatically and a nose that had already been broken twice and looked it. Grey-blue eyes and a jaw a few days past a razor. The safe one. The coachable one.
The problem — the reason there was a folder squared to the table — was the frame. Somewhere in that forty seconds the whole thing had turned, and instead of Frost versus Vancouver it had briefly, catastrophically, become Delaney versus Osei: two of the Frost's own, chest to chest in the scrum, gloves off, close enough to share breath, and some genius with a phone in the tenth row had caught the exact instant Rourke had a fistful of Malik Osei's jersey and Malik had said something Rourke had never repeated to anyone and Rourke's face had done — that. Whatever that was. The internet had decided what it was. The internet had made it a poster.
"Four million views on the one," Deb said, following his eyes. "Before we got it pulled. It's still up in six other places under six worse captions. You've seen them."
"I don't read comments."
"You're the only man in professional sports who's ever said that and I don't believe you." She touched her tablet and the loop finally, mercifully, froze — on the frame, of course, because she was very good at her job. Him and Malik, nose to nose, the whole arena a blur behind them. "Here's where we are. You and Osei are the two most recognizable men on a team nobody outside this state can name. That's usually an asset. This week it's a liability with a life of its own, because we sell you specifically — you, Rourke, personally — as the guy who keeps it clean. The hard man with the soft edges. Reads to schools. Signs the casts. The enforcer moms are okay with." She let that sit. "Sponsors get nervous when the thing they bought turns into a meme about losing control."
He kept his face still. He was good at that; it was half the job. "It was a scrum. Scrums happen."
"It was a scrum," she agreed. "And if it read like a scrum, we'd all be home already. It doesn't read like a scrum, Rourke. Look at it." He didn't. "It reads like the two of you forgot there was a game on."
The plow scraped. The coffee cooled. Somewhere down the hall a door thumped and a phone rang and rang and stopped.
He'd built this. That was the part that sat under his sternum like a swallowed stone — he had spent eleven years building the exact man Deb was now describing back to him, the safe one, the marketable one, the tough guy the club could put in front of a camera without holding its breath, because he had learned early and thoroughly what happened to the men who couldn't be summarized that cleanly. He had made himself into a story that was easy to tell. And a story that easy to tell was a story that could be taken away in an afternoon if you gave it the wrong frame.
"So what's the fix," he said. Flat. Get to it.
Deb slid the folder two inches toward him and didn't open it. "The club is running a youth camp all next week. Five days, forty kids, ages seven to ten, learn-to-play. It was going to be Sandeen and one of the development coaches." A beat. "It's going to be you."
He waited for the rest, because there was always a rest.
"Co-run," Deb said, "with Osei."
There it was.
He was proud, later, that he didn't move. Eleven years of taking hits and not showing it were worth exactly this: the ability to hear the one sentence you'd been dreading without your body announcing it to the room. Inside, something dropped a long way. On the outside he reached over and turned one of the clementines a quarter turn on the table, like it had been facing the wrong way.
"No," he said.
"It's not a—"
"Put me with anybody. Put me with Sandeen. Put me with a traffic cone. I'll run drills eight hours a day, I'll sign every cast in the Mat-Su, I'll read to a whole district." He heard his own voice going faster and made it stop. Slow down. The ones who wanted you rattled were the ones about to take something. "I'll do the penance. I'm not doing it with him."
"You're doing it with him because the problem is the two of you," Deb said, unbothered, "and you don't fix a picture of two men who can't be near each other by keeping them apart. You fix it with a better picture. Reformed rivals. The chippy ones who grew up. Two hard cases who spend a week teaching eight-year-olds to skate and come out the far end shaking hands for the camera." She spread her hands. "It writes itself. It's a good story, Rourke. I've told worse ones about better men."
"And if I say no."
"Then nobody makes you do anything." She said it kindly, which was how he knew it was the knife. "You're both up at the end of the year. Contracts are contracts until they're renewals, and renewals are a conversation, and conversations have a mood. Right now the mood is a meme." She closed the tablet. "I'm not threatening you. I don't threaten. I'm telling you what next spring looks like from here, and I'm offering you a week of cold rinks and juice boxes to change the weather. That's the whole deal."
The door opened.
Malik Osei came in the way he did everything, unhurried, like the room had been waiting for him and he saw no reason to apologize for confirming it. Late, of course. Twenty minutes at least. Ghanaian-American, late twenties, dark brown skin and a close-cropped fade and a beard kept so neat it was almost a comment on the rest of them; built lean where Rourke was built wide, a fighter who won on speed and nerve and timing rather than tonnage. He had a coffee from somewhere that wasn't the dead carafe on the table, and he was wearing a smile that Rourke had spent an entire season learning to distrust, because it was warm and it was easy and it never once meant Malik had stopped keeping score.
"Sorry," Malik said, to Deb, not sounding it. His eyes went to the frozen screen — the two of them, nose to nose, the whole poster of it — and then, unhurried again, to Rourke. Warm brown eyes with something laughing a long way back in them. "Oh," he said. "We're doing arts and crafts. You should've said. I'd have brought glue."
"Sit down, Osei."
"I stand better." He sat down anyway, across from Rourke, and dropped his coffee on the table with a soft knock, and looked at Rourke over it like a man settling in to enjoy something. "So. What'd I win."
"A week of your life," Rourke said.
"Both of your lives," Deb corrected, "and the back nine of your careers, if we're being precise, which we are." She gave Malik the short version — the folder, the camp, the frame, the fix — and Rourke watched him take it, watched the exact moment the words co-run and with Delaney landed and the easy smile didn't waver at all, which was worse than if it had, because it meant Malik had already decided how to play this and Rourke hadn't.
"Kids' camp," Malik said, when she was done. Thoughtful. "Five days. Him and me." He tipped his head at Rourke without looking away from Deb. "You've met us, right? You've been to a game?"
"I've seen the tape," Deb said. "That's the point."
"Because I gotta tell you, the last time we shared a sheet of ice for more than a shift, your phone did four million views."
"Which is why," said Deb, patient as weather, "you're going to do it in front of forty children and a photographer, and behave like men who've been coached by adults." She stood, buttoning her jacket, the meeting already over in her posture because she'd known how it would end before either of them walked in. "Monday, eight a.m., practice rink. You'll both get the run sheet tonight. Wear the good jackets, not the beaters. Sandeen already opened a line on which one of you cries first, so — some of your teammates are enjoying this. Try to be worth it." A dry pause. "For the record, the room does not care about any of this. The room never cares. That's a gift, gentlemen. Take it."
She left them there with the frozen frame still up on the wall, the two of them and the forty seconds that had turned, and the plow scraping back and forth below the window.
Malik picked up his coffee. Didn't drink it. Studied Rourke over the rim with that unhurried, unbothered attention that got under Rourke's skin faster than any fist ever had, because a fist you could see coming.
"You look like she asked you to donate a kidney," Malik said. "It's a week of teaching kids to snowplow. It's not the end of the world."
"For you, maybe."
End of sample. The story continues in the full edition.