Our Authors

South Asian Arranged-Marriage Romance

Amrita Seth

Amrita Seth is thirty-nine, British Indian and from Leicester. She spent nine years as a corporate lawyer before she wrote full time, which taught her that most family firms are run by whoever actually reads the paperwork, and that this is rarely the man whose name is on the door. She has been married for eleven years to a man her aunt found for her, and she volunteers the fact cheerfully to anyone who assumes it must have been a tragedy. She writes contemporary arranged-marriage romance in South Asian high society, for readers who want the weddings, the families and the slow discovery of a stranger. She is bored of arranged marriage written as a cage to escape. In her books it is what it more often is: an introduction, after which two adults decide.

4 titles with Ribbon & Flint

Romance

Astrid Norén

Works as a UX designer for a fintech startup. Moved to London at 24 for work and stayed for the theatre scene. Writes romance in English because "Swedish has too few words for feelings and too many for snow." Unmarried, which her mother mentions in every phone call.

2 titles with Ribbon & Flint

Dark Why-Choose Romance

Blythe Kerrigan

Blythe Kerrigan spent twelve years in corporate insolvency in Leeds, watching very polite people take things away from other people with paperwork. She writes dark why-choose romance: one woman, three dangerous men who were in the room when it was decided, and a happy ending every time. She lives in Yorkshire, owns one very good coat, and has never once been late to a meeting.

2 titles with Ribbon & Flint

Swingers Romance

Brooke Delacorte

Brooke Delacorte spent twenty years booking other people's anniversary trips before she and her husband finally took one of their own. She writes sunny, grown-up swingers romance about long-married couples who go somewhere warm, try something they have only talked about, and come home more in love than when they left, with a happy ending every time. She has opinions about hotel pillows and knows exactly how her husband takes his coffee.

1 title with Ribbon & Flint

Orc Romance

Bryony Larke

Bryony Larke worked for years around bulls, draught horses and farm dogs, and then in the office of a livestock market, which taught her that a market town is a small country with its own foreign policy. She writes steamy orc romance: enormous men being careful, fated mates, aunts with opinions, and a happy ending every time. She lives in a hill village on the Welsh border with a border collie and strong views about gates being left open.

6 titles with Ribbon & Flint

Dragon-Rider Romantasy

Caro Westerhall

Caro Westerhall spent eight years hanging out of helicopters over the North Atlantic before she started writing about people who ride dragons instead. She writes steamy, standalone dragon-rider romance: rivals in the air, dragons with opinions, and a happy ending every time. She lives on the coast with a dog who is afraid of seagulls.

1 title with Ribbon & Flint

Contemporary MM Romance

Cass Merrick

Cass writes the men she wishes more books would: guarded, funny, capable of a tenderness they don't yet have language for. Interested in masculinity that finally makes room for want. Believes the best MM is about two men who stop performing — for the team, the family, the world — and let one person see the whole of it.

15 titles with Ribbon & Flint

Lactation Romance

Clover Hayward

Clover Hayward has worked a cheese counter, a fish dock and a bakery's four a.m. shift in the small Oregon coast town where she grew up. She writes tender, steamy lactation romance about bodies that do remarkable things, the people who adore them for it, and a happy ending every time. She still lives where the road runs out at the ocean, and she thinks the best conversations happen over something warm at a kitchen table.

1 title with Ribbon & Flint

Regency Romance

Cordelia Brackenbury

Cordelia Brackenbury is fifty-two and taught history for twenty years. She lives in a Georgian town she declines to name, and came to writing sideways, through a decade of reading probate records for pleasure: the wills, settlements and inventories in which the real lives of Regency women are hidden. She is dry, precise and slightly wicked about propriety. She writes Regency romance for readers who love the ballrooms and the country houses and want to see the period from inside its own rules. She holds that the Regency is interesting not because it was elegant but because it was a machine for controlling women, and she is bored of heroines who simply ignore the machine. Hers learn exactly how it works, and then work it.

6 titles with Ribbon & Flint

Hotwife Romance

Corinne Vail

Corinne Vail is forty-one and lives in Chicago, where she spent fifteen years in hospital administration before she wrote full time. She has been married for twenty years, and she thinks the most interesting love story is the one that is still going in year twenty: the mortgage, the in-laws, two careers, and a couple who still want to surprise each other. She writes contemporary romance about long, happy marriages that open a door on the wife's terms, with her husband beside her and in on every decision. She writes for women who know their own minds, and she is bored of this kind of story told as a man's fantasy about a woman rather than as the woman's own.

5 titles with Ribbon & Flint

Greek Mythology Romance

Daria Kallis

Daria Kallis grew up on the Greek myths her grandmother told by lamplight, and decided long ago that the women in them deserved to choose. She writes dark, devoted gods and the women who walk down to them on purpose: steamy mythic romance with a happy ending every time. She lives by the sea, keeps a pomegranate tree that has never once fruited on schedule, and believes the Underworld would be a very good place to read.

1 title with Ribbon & Flint

Monster Girl Harem Fantasy

Dax Duquesne

Dax Duquesne has hung drywall, run a kitchen line and fixed more roofs than he'd like to count. He writes monster girl harem fantasy: an ordinary man who is good at something real, a ruined inn at the edge of the map, the extraordinary women who help him rebuild it, and a happy ending for everyone. He writes at the kitchen table after the house is asleep, with a carpenter's pencil still tucked behind one ear.

1 title with Ribbon & Flint

Western Ranch Romance

Delia Rhodes

Delia writes the West as a place of work — early mornings, calving in the cold, the smell of hay and diesel and horse — because the labour is what makes the tenderness land. Her heroes are rugged and capable without being cruel; her heroines are neither helpless nor hardened past feeling. She treats the land and the weather as characters in their own right: a blizzard, a drought, a fence that has to be walked, a herd that has to be moved before the storm. Her one rule about the "claiming" register the genre loves — a man saying mine, the patience of gentling a horse turned on a woman — is that it is always mutual and always chosen: possession is something offered and accepted out loud, never taken. The heat runs high; the consent runs higher.

7 titles with Ribbon & Flint

Witch Cozy Mystery

Dottie Merriweather

Dottie Merriweather taught high-school chemistry for thirty years, which is excellent training for a writer of murder mysteries. She writes clean, cozy midlife witch mysteries set in a little Wisconsin harbor town where the cherries are tart, the fish boils flare up, and the women come into their magic right when they were told to expect less. Every book is a complete mystery with a happy ending. She lives on the Door County peninsula with a gray cat who has opinions.

1 title with Ribbon & Flint

Rock Star Why-Choose Romance

Etta Ravenhill

Ten years as a tour manager for mid-tier touring acts — the person who counted heads onto the bus at 4am, knew which two guitarists could not share a dressing room, and watched a dozen bands work out how four people share one life without destroying it. She writes what she saw: that the interesting question is never which one but how do we make this hold. She is unromantic about the industry and romantic about the people in it.

7 titles with Ribbon & Flint

MM Alien Romance

Ezra Wexley

Ezra Wexley spent fifteen years bringing container ships into harbour in the dark, which turned out to be good training for writing about very large men handled with care. He writes MM sci-fi romance about the humans and aliens who work Meridian Lock, a trade station at the mouth of a wormhole: big, warm, honest aliens, working men who forgot how to say what they want, and a happy ever after every time. He lives near the water and still checks the tide.

1 title with Ribbon & Flint

Sports Romance

Fiona MacKenzie

Grew up in a rugby-mad family—her father coached at club level, her brothers all played, and she spent her childhood on muddy sidelines learning to love the game. Played women's rugby at university before a knee injury ended her athletic career. Now works as a sports physiotherapist for a professional football club, giving her inside access to the world she writes about. Single; says she's too busy for dating but keeps falling for the wrong athletes.

3 titles with Ribbon & Flint

Romance

Freya Thornbury

Veterinary nurse by day, romance writer by very late night. Lives above a chip shop with a rescue cat who judges her life choices. Has strong opinions about tea, the Oxford comma, and emotionally unavailable men in fiction (for them, cautiously). Writes first drafts longhand in Moleskine notebooks because she's a specific kind of pretentious.

7 titles with Ribbon & Flint

Fae Romance

Greer Loxley

Greer Loxley spent her twenties behind counters, at a post office, a haulage office and a licensing desk, learning to tell when the person on the other side was about to lie to her. She writes fae romance with a sharp edge: courts, bargains, a border that people cross for work, and a happy ending every time. She lives in a northern border town, reads far too much folklore and keeps a notebook of things people said that they did not mean to.

3 titles with Ribbon & Flint

K-Drama Romance

Hayun Pyo

Hayun Pyo spent eight years in Seoul writing subtitles for TV shows at three in the morning, which is how she learned that the most romantic thing in the world is someone handing you a hot can of corn tea without a word. She writes swoony, slow-burn K-drama romance about the people behind the scenes of Seoul's entertainment industry and the famous men who fall for them in secret. Every book is a standalone with a happy ending. She lives in Los Angeles and is always planning her next trip to the convenience store across from a broadcast centre.

1 title with Ribbon & Flint

Age-Gap Romance

Helen Craddock

Helen Craddock is forty-four and lives in Bath. Writing is her second career: for fifteen years she ran a bakery with her name over the door, which taught her that money should be discussed plainly, that a good business is mostly early mornings, and that competent people are the most attractive people in any room. She writes contemporary age-gap romance, an older man and a younger woman, set among the auction rooms, firms and family businesses of English cathedral cities and county towns. She writes the register she reads herself: grown- ups who are good at their jobs and say what they mean. She is bored of manufactured misunderstandings, and of age-gap stories in which the younger woman has no view of her own.

3 titles with Ribbon & Flint

Contemporary Black Romance

Imani Fletcher

Grew up in the back of a family restaurant doing homework on a prep table, and spent twelve years in commercial real estate watching Black-owned institutions get bought out from under families who had held them for three generations. She writes the version where they keep it. Her books are about inheritance in both senses — the building and the burden — and about two people who have both been The Responsible One their whole lives finding out what it is to be held.

3 titles with Ribbon & Flint

Vampire Romance

Isolde Roux

Isolde Roux is thirty-eight, grew up bilingual in Montreal and still lives there. Before she wrote full time she spent years working nights in the records department of a downtown hospital, in the hours when the city belongs to cleaners, cab drivers and people who cannot sleep. That is where her books keep their hours. She writes contemporary vampire romance for adult readers who like a city in winter, the last metro and old buildings with something in the basement. Her vampires are not princes in castles but long-lived neighbours with careful manners and paperwork problems. She is bored of the brooding immortal who explains nothing, and writes men who have had centuries to learn how to listen.

2 titles with Ribbon & Flint

Dark Academia Romance

Juno Ashcroft

Juno spent six years as an archivist in a university special-collections library — the actual job of handling other people's secrets under supervision, in gloves, in a cold room — before she wrote a word of fiction. She is interested in institutions that promise to make you into someone, in the specific class violence of an old society deciding you are worth keeping, and in the fact that being chosen and being owned are much harder to tell apart from the inside. She thinks the reason people love these stories is not the danger; it is being selected by something that has been refusing people for two hundred years.

5 titles with Ribbon & Flint

Why-Choose Romantasy

Kenna Strachan

Kenna Strachan spent ten years as a court stenographer, where she learned that the interesting thing in any room is who is allowed to speak. She writes why-choose romantasy: one woman, three devoted men who are not quite human, a small mountain court full of rank and ceremony, and a happy ending every time. She lives in Fife, types faster than anyone she knows, and still cannot sit through a meeting without taking notes.

1 title with Ribbon & Flint

Mafia Why-Choose Romance

Loretta Vance

Loretta Vance grew up in her family's New England restaurant, where the back room was booked out four times a year and nobody ever explained by whom. She writes mafia why-choose romance: one woman, three men, one family that owns the whole block, and a happy ending every time. She still makes Sunday gravy for twelve and believes the quietest person at the table is usually the one in charge.

3 titles with Ribbon & Flint

Mountain Man Breeding Romance

Lottie Wickersham

Lottie Wickersham has driven a float-trip shuttle, worked a church kitchen and stood behind the counter of a feed store where every man over six foot five came in for fence staples. She writes mountain man romance: big, bearded, quiet men who know what they want on the first day, the women who turn out to be exactly what they were building for, and a happy ending every time. She writes on a screened porch in the Missouri Ozarks with a glass of sweet tea sweating on the rail.

1 title with Ribbon & Flint

Interracial Romance (BMWW)

Marlow Quaid

Marlow Quaid spent six years running the front desk of a South London tattoo studio and has more ink on her own skin than she will discuss. She writes high-heat interracial romance with Black heroes and white heroines, set around one tattoo studio and the street it sits on: men who are good with their hands, women who know what they want, and a happy ending every time. She grew up over a parade of shops and still cannot walk past a neon sign without reading it.

3 titles with Ribbon & Flint

Monster Romance

Mina Hexley

Mina Hexley spent four summers of her teens in the ticket booth of a travelling fair and has been trying to get back on the midway ever since. She writes hot, funny monster romance: one town, one run of the fair, one very large gentleman from the sideshow, and a happy ending every time. She lives in Indiana with a husky who hates thunderstorms and a porch that is ninety percent pumpkins from September to November.

1 title with Ribbon & Flint

Highlander Romance

Morven Lockhart

Morven Lockhart grew up on a hill farm at the head of a sea loch in Argyll and spent twenty years cooking for a Highland estate and following the stalkers up the hill. She writes steamy Highlander romance set around 1400: one glen, one clan, a handfast with a year and a day to make it real, and a happy ending every time. She is unimpressed by men with big swords and deeply impressed by any man who can carry a ewe off a hill without complaining.

1 title with Ribbon & Flint

Dark Mafia Romance

Nadia Sokolova

Raised on noir films, opera, and her grandmother's stories of the old country, Nadia writes the Bratva and Cosa Nostra as modern mythology — kingdoms of loyalty and blood where the most lethal man alive meets the one thing he will not gamble. She is emphatic that the danger points outward, never at the heroine: the fantasy is a woman who walks into the fire and walks out owning it. A rule is taped above her desk: he can burn the world down for her; he never lays a hand on her against her will.

8 titles with Ribbon & Flint

Exhibitionist Romance

Noelle Sorrento

Noelle Sorrento spent fifteen years lighting other people: music videos, fashion shoots, a late-night talk show and more burlesque revues than she can count. She writes steamy exhibitionist romance about women who step out from behind the lights, the men lucky enough to be watching, and a happy ending every time. She grew up in San Pedro watching the harbor cranes light up and now lives in the hills above Hollywood, where she still wears a roll of gaffer's tape like a bracelet.

1 title with Ribbon & Flint

Alien Romance

Nova Quillon

Union household, port towns, shift work. Her father was a dockworker and her mother kept the books for a marine supply, and she grew up around people whose competence was the most attractive thing about them and who would have been embarrassed to hear it said. That is where the line's blue-collar space comes from — freight, salvage, colony agriculture, med-bays and rotas, nobody an admiral — and why her human characters always have jobs they can lose and families who ring them at bad times. She is fat and has been since her twenties, and she got tired of heroines who had to shrink before a story would let anybody want them — so she writes the other version, every time.

6 titles with Ribbon & Flint

Interracial Kink Romance

Odette Rue

Twelve years in luxury hospitality — most of them as night manager of a five-star high-rise residence hotel, the person who held every resident's secrets and surrendered none of them. That job is the whole engine of her voice: discretion as power, access as intimacy, and the certainty that the most interesting floor of any building is the one the public never sees. She writes the building she used to run.

3 titles with Ribbon & Flint

Monster Why-Choose Romance

Ondine Hollowell

Ondine Hollowell spent eleven years as a zoo keeper, working with animals that could not be reasoned with and could absolutely be understood. She writes monster why-choose romance: one woman, three devoted men of three very different kinds, and a happy ending every time. She lives in Galway with a three-legged cat who is, technically, the most dangerous thing she has ever looked after.

1 title with Ribbon & Flint

Romantic Comedy

Poppy Fairweather

Working-class background; first in her family to attend university. Studied drama at Manchester Met, then spent three years doing stand-up comedy in pubs and clubs across the North before transitioning to writing. Her comedy background shows in her dialogue—quick, sharp, and deeply human. Works part-time as a barmaid while building her writing career. Lives in a chaotic flat-share in Salford; dates enthusiastically and catastrophically; mines her own disasters for material.

5 titles with Ribbon & Flint

Why-Choose Romance with MM

Quinn Radley

Quinn Radley spent most of her twenties running a shared house of six in Bristol, and she thinks the romance shelf is wrong about how many people a household holds. She writes warm reverse-harem romance: one woman, three men who already love each other, a harbour town, no jealousy plots and a happy ending every time. She still cooks for eight out of habit and keeps a rota on the fridge that nobody follows.

2 titles with Ribbon & Flint

Interracial Romance (BWAM)

Rhiannon Thackeray

Rhiannon Thackeray played viola in regional orchestras for eleven years, usually as the only Black woman in the string section, before she put down the bow to write. She writes interracial orchestra romance with Black heroines and Asian heroes: auditions, rivalries, conductors who hear every mistake, desire built out of competence, and a happy ending every time. She lives in Birmingham and still cannot sit through a concert without counting the rests.

5 titles with Ribbon & Flint

MC Romance

Roxanne Vaughn

Roxanne grew up with a wrench in her hand — her father ran a two-bay garage off a dead highway, and she learned to rebuild a carburetor before she learned to drive. She rode before she wrote, and it shows: the bikes are real, the grease is real, the economics of a broke town where the biggest employer left in 1994 are real. She came up on Zane and Kristen Ashley in equal measure and writes the books she wanted on the shelf — outlaw men who are hard everywhere except one place, and women who are nobody's victim and nobody's prize, who walk into that world with their eyes open and get to choose it out loud. Her one unbreakable rule: the possessiveness is a promise, never a cage. "Mine" is something both of them get to say. The danger always points outward — at the men who'd hurt her — never at the heroine.

12 titles with Ribbon & Flint

Shifter Romance

Sable Wilde

A folklore obsessive who reads bestiaries for fun, Sable writes the fantasy of being recognized on sight and wanted without condition. Her one unbreakable rule about the mate bond: it amplifies desire, it never overrides choice — the pull is mutual, and both of them still have to say yes.

7 titles with Ribbon & Flint

Wolf Shifter Romance

Sadie Talley

Sadie Talley has worked a ski hill, a fish-fry kitchen and the front desk of a Lake Superior lodge where every guest asked whether the wolves were real. She writes wolf shifter romance about rejected mates and second chances: proud men who have to apologize in front of witnesses, the women who decide what that is worth, and a happy ending every time. She writes at a kitchen table with a view of the water and keeps a sauna going three nights a week.

1 title with Ribbon & Flint

Viking Historical Romance

Sigrid Bjornsdottir

Grew up surrounded by saga literature—her mother is a historian with a special interest in Old Norse, her father a blacksmith who reconstructs Viking-age metalwork as a hobby. Spent childhood summers at medieval reenactment festivals. Studied history. Her academic rigor combines with romantic imagination to create historical romance that feels authentic (while taking the right types of liberties) without sacrificing passion. Lives in a turf-roofed cottage; practices historical swordsmanship; absolutely lethal at Viking chess ( at least one of these tree is a lie)

13 titles with Ribbon & Flint

Interracial Billionaire Romance

Simone Ashford

A former private-client lifestyle manager — a discreet "fixer" for ultra-high-net-worth families on the Upper East Side — who spent a decade arranging the un-arrangeable for people whose money bought everything except an honest yes. She left to write the books she kept not finding: Black heroines with real careers, real teeth, and appetites they refuse to shrink; power exchange treated as the most romantic negotiation two adults can have, not as something shameful smuggled in after dark. She writes interracial pairings as chemistry and chosen power — the pull of two people who agree to want each other on the record. Race is her heroines' identity, rendered with depth and beauty; it is never the object of the power dynamic.

14 titles with Ribbon & Flint

Dragon Shifter Romance

Tamsin Draycott

Tamsin Draycott is forty-four and spent eleven years cataloguing estate jewellery for a provincial auction house before she wrote anything. She still cannot walk past a vitrine, and the job taught her that people reveal themselves most in what they cannot bear to part with. She is warm, funny in person and immoderate about perfume. She writes contemporary dragon-shifter romance for readers who want to be wanted greedily, by a man whose hoard is very old and whose attention is entirely on her. She thinks most romance is too polite about appetite, and she is bored of heroines who apologise for liking beautiful things. In her books a woman is allowed to enjoy being given things.

4 titles with Ribbon & Flint

Femdom Romance

Verity Sloane

Fifteen years as a theatre stage manager before she wrote full-time — the person who calls the show from the dark, whose authority the audience never sees and the company never questions. That job is the whole engine of her voice: control as competence rather than volume, cues and timing as intimacy, and a deep belief that the person genuinely running the room is the calmest one in it.

8 titles with Ribbon & Flint

Omegaverse Academy Romance

Vesper Kane

Vesper Kane is thirty-six and lives in a ski town in the Colorado Rockies, where she taught at the town school for ten years before she wrote full time. She knows a mountain valley from the inside: the season that fills it and the season that empties it, the one big employer everybody's family works for, the road above the switchbacks closing with the first snow. She writes paranormal academy romance for adult readers who want one woman wanted by three men who are not in competition and are not going anywhere. Her academy is a placement institution with forms, assessments and opinions about who belongs with whom, and her heroines refuse its arithmetic. She is bored of love triangles, and of stories in which somebody always has to lose.

3 titles with Ribbon & Flint

BDSM Romance (BWWM)

Vivian Devereaux

A former family-law paralegal who went full-time on fiction after her first Dom/sub novella took off. Raised on Beverly Jenkins and Zane in equal measure, she writes the books she wanted on the shelf: Black heroines with sharp interior lives, real careers, real friends, and appetites they refuse to apologize for. Active and well-read in Atlanta's kink-positive community, she treats negotiation, safewords, and aftercare as the most romantic parts of a scene, not the boring admin around it. Her interracial pairings are about chemistry and chosen power exchange — never about race as a fetish.

18 titles with Ribbon & Flint