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Worlds built to get lost in — ongoing series, interconnected standalones, and everything in between.
Ongoing
Anchorage Frost
Welcome to the Anchorage Frost, where the winters are brutal, the chirps are merciless, and the locker room has a betting pool on absolutely everything.
These men know how to read a play before it develops, take a hit without flinching, and bury anything they cannot say beneath tape, ritual, and the next game. But the teammate who knows your timing, your tells, and exactly how you take your coffee is much harder to fool.
Old friends collide on a line after seven years apart. A fake marriage between teammates becomes the first honest thing either man has chosen. Around them, a found family of players, coaches, and professional meddlers notices every secret weeks before it is spoken - and meets the truth with a chirp, a tape ball, and room made on the bench.
The Anchorage Frost series delivers tender, high-heat MM hockey romance, emotionally guarded men who finally stop performing, and hard-won love in the coldest city in the league.
Each book is a complete interconnected standalone with a different central couple and a guaranteed HEA. Read in any order.
12 books · View the series
Ongoing
Cairn Ridge
Cairn Ridge sits at eight thousand feet in the Colorado Rockies — glass and timber, snow-glare, one road up through switchbacks that closes without warning. It is a placement academy and clinic, and it runs on paperwork: designations registered, assessment cycles scored, futures decided by a panel working from drop-down menus and a free-text box nobody fills in. The academy is not the villain. It is competent, sincere, and absolutely certain its arithmetic is a kindness. The books are about the people the arithmetic gets wrong.
These are omegaverse romances with the rivalry left out. The alphas like each other. Nobody is chosen over anyone. Nobody is sent home. What happens instead is better: a household assembled by accident inside a scored week, a bed dragged off the wall and rebuilt the way the people in it actually fit, three pairs of hands and no jealousy plot in sight. Found family is not a theme here — it is the product.
The cold is real and so is the warm. Every story runs on the same contrast as the mountain: black air and snow-glare outside the window, lamplight and a pile of bodies inside it. Low angst, high competence, and institutions that can be appealed — with the right form, filed before eight o'clock.
Cairn Ridge is a series of standalone why-choose novellas, each one complete: a female omega, the alphas who rearrange themselves around her, explicit open-door heat that keeps the lamp on, and a hard-won HEA where the whole household makes it to the last page. Read them in any order. Start with The Bed She Built Wrong.
Omegaverse · why choose / MMMF · academy setting · low angst · no rivalry · open-door explicit · guaranteed HEA.
3 books · View the series
Ongoing
Cedar Bend
Cedar Bend, Montana is one main street and a whole lot of sky. A café that runs on pie and other people's business. A saloon that hears every confession in the county and repeats none of them. Out past the cattle guard lies the Broken C — four generations of Calloways, four hundred head of Angus on ground that is three bad seasons from the bank, held together by work, stubbornness, and whoever shows up.
Every book takes a different couple: a Calloway sibling, the ranch's top hand, the neighbour across a fence nobody's agreed on in thirty years, someone who drove in off the highway meaning to stay one night. The men work with their hands, say very little, and mean every word of it. The women arrive with a life already in progress. They meet as equals. Nobody here gets rescued; people get chosen, and they get to say so out loud.
First up: burned-out Chicago food writer Sydney Vale flies in to sign away the half of a failing cattle ranch she just inherited — and walks straight into Boone Calloway, its furious co-owner, who wants nothing but her signature and her city shoes back on the plane. But the estate binds them for a year, and the silence between them was never dislike. It was wanting.
Expect calving cold and branding dust and a storm you have to beat the herd home ahead of. Expect the claiming register the West does better than anybody — a man who says mine and means yours, always offered and always answered, never taken. High-heat, open-door contemporary Western romance with a hard-won happily-ever-after every single time.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
7 books · View the series
Ongoing
Coldwater Kings MC
Coldwater is a played-out mountain town the biggest employer left behind decades ago — and the Coldwater Kings MC is what holds it together. Salvage yards, custom builds, a deconsecrated-church clubhouse, and a crew of blue-collar outlaws whose protection rackets are really about the town. The bikes are real, the grease is real, and so is the code: family is covered, and nobody touches what's theirs.
These are men the sheriff crosses the street to avoid — hard everywhere except one place. When a diner waitress sees the wrong men pull the trigger, the club's enforcer makes it flatly clear she doesn't leave his sight until the threat is in the ground. Dangerous to the world, safe for her: the possession is a promise, never a cage, and "mine" is something they both get to say.
Every heroine walks into this world with her eyes open and gets to claim the life out loud — while the whole club closes ranks behind her, loud, all at once, and with somebody already pouring.
The Coldwater Kings MC series delivers high-heat, open-door outlaw romance: possessive alphas turned tender, found family in leather, consent on the page, and danger that always points outward.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
12 books · View the series
Ongoing
Culverton
A stretch of west Suffolk in 1817: a set of landed families, their tenants, servants and clergy, all of whom know each other's rent-days, arrears and business. The same attorney at Bury draws every settlement; the same posting inn on the turnpike is where the news changes horses; the same two great houses decide, by calling or by pointedly not calling, what a woman's standing is. Money is period-real here. Quarter-days fall due, legacies are payable out of rents, and land is a set of obligations before it is an asset.
Culverton is a series of standalone Regency romances set in that neighbourhood, sharing the furniture rather than the couples: the couple from one book are glimpsed married and content at the edge of the next. The engine is constraint. A bare hand is an event; a closed door is a scandal; a promise made before witnesses is worth nothing at law and binding anyway. Two people who may not be alone together contrive to be alone together, and the whole society around them is a mechanism for making that difficult and consequential.
Ruin is a real risk and it has teeth. It is never dissolved by coincidence, and it is averted by marriage or it is not averted at all — but the marriage, when it comes, is chosen and wanted by both of them, and no book is ever resolved by a man rescuing a woman from a consequence she did not agree to run. Expect ledgers as intimacy, a deaf chaperone by the fire who makes everything permissible and nothing safe, and asking in the moment, said plainly in a dark library, which is both hot and entirely period-correct.
The heat is explicit and open-door, but the pacing is period: long anticipation, an enormous amount of consequence around each act, and undress that takes real time because the clothes take real time. Every book stands alone, so start anywhere in the neighbourhood — though most readers begin with Ruined by Michaelmas and the estate accounts that turn out to be a courtship.
Each book is a complete standalone with a different couple and a guaranteed HEA. Read in any order.
6 books · View the series
Ongoing
Edinburgh Kestrels
Welcome to the Edinburgh Kestrels, where the hockey is brutal, the city cares about every result, and the real battles happen long before the doors open: on the 5 a.m. ice, at the dark end of the rink, in the rooms where careers are rebuilt one session at a time.
These are driven, physical, emotionally guarded men who treat their bodies like machines and are genuinely surprised when something breaks. Standing across from them are the women who work the game - coaches, physios, the professionals who know exactly where the lines are drawn, and exactly what it costs to cross one.
A benched enforcer with one shot at saving his career. The exacting coach bound by contract to a rival academy, risking her livelihood just to fix his edges. Their sessions are supposed to be clinical. They don't stay that way - and the better she makes him, the more public their secret becomes.
The Edinburgh Kestrels series delivers steamy, high-heat Scottish hockey romance: forbidden coach-athlete tension, locker-room found family, and love that refuses to stay off the record.
Each book is a complete interconnected standalone with a different couple and a guaranteed HEA. Read in any order.
1 book · View the series
Ongoing
Halgren Reach
Halgren Reach is a working salvage-and-transfer station on a treaty boundary, where three species crew the same docks and nobody's law fully applies. It is blue-collar and unglamorous: freight, brine tubs, chalk on case ends, manifest slips, hi-vis and cardigans, emergency lighting and ration bread. No admirals, no chrome. The station is organised by berths, shifts and seals; hull breaches and hard-seal lockdowns are a real hazard; the harbour office rents out non-human hands by the job; and everybody's business travels the dock faster than the official word does.
Halgren Reach is a series of standalone alien romances set on that dock. Every book pairs a human woman with a non-human man from a different species — a different biology, a different set of rules about touch, a different thing he does not know he is allowed to want. He is a competent adult who has read the file on humans and finds it useless the moment she is actually in front of him. The charge is in his carefulness: the pause before he touches her, the visible arithmetic of a man calculating his own strength, and her being the one who closes the gap.
The size difference is the physical language of the line and it is warm, never threatening: he is built wrong for her furniture and entirely right for her. Her body is never the problem to be solved; she arrives already at home in it, and what is new is being looked at like that. The touch-starvation is his, not hers, and the plot of the intimacy is the two of them learning what the other means by contact. Expect open-door heat, explicit and frequent, with the first time slow and talked through. No abduction, no bond that overrides a choice, no biology that decides anything the people have not also decided.
These are comfort books about competence: manifests, rotas, tea made without being asked, and a harbour clerk who has kept the books for thirty-one years and says a berth date out loud exactly where it will do work. Every book stands alone, so start anywhere on the Reach — though most readers begin with Reach for Him and the bar with the bad ceiling.
Alien romance · human woman / non-human man · size difference · touch-starved hero · forced proximity · curvy heroine · open-door explicit heat · guaranteed HEA
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
6 books · View the series
Ongoing
Kesteven Gate
Five miles above the town, up a cutting out of the beck bottom, there is a weighbridge, a barrier, a customs house and a stamping shed: the crossing between northern England and the fae lands, run as freight infrastructure rather than wonder. Tare weights, dockets, duty schedules, a rota on a corkboard. The fae who queue at the permits counter are labour, hauliers and clerks like anyone else, and the uncanny arrives here as an administrative fact — a strip of cold iron let flush into the customer side of the counter, thaw-water dutiable by the gallon, an amendment acknowledged at Carlisle and never sent on.
Kesteven Gate is a series of standalone adult fae romances set at that crossing. Every book pairs a human woman who works the border with a fae man who is obliged to be there: a debt, a term of service, a promise somebody else made. A fae will not say a false thing, so under pressure he goes quiet, and the quiet is the tell. What is owed presses on him from outside, and it is never a deal the two of them strike between themselves.
He can look like anything, and has worn a face for every human he has ever dealt with. The intimacy is the moment the glamour drops and stays down. She is never enchanted, not once, for any reason; her wanting is entirely her own and she says so. His composure is total everywhere else in the book and absent only with her, and the ending always costs him something he cannot get back. Expect heat that is explicit and slow-building, with the unmasking before the first time, because the unmasking is the intimacy and the sex is what follows from it. Expect a heroine who is tall, strong and beautiful, and written that way on the page.
Cold, plain and procedural on the surface; sharp and cool where other fantasy lines run warm. Every book stands alone, so start anywhere at the crossing — though most readers begin with Unglamoured, the winter rota, and the mild man behind the tariff counter who is not a man at all.
Fae romance for adults · glamour and unmasking · obligation, not negotiation · forced proximity · winter court · tall, strongly built heroine · open-door explicit heat · guaranteed HEA
Each book is a complete standalone with a different couple. Read in any order.
3 books · View the series
Ongoing
Maisie's Circle
Welcome to Maisie's Circle, where the weddings are chaotic, the banter is weaponised, and everyone is one mortifying confession away from the love of their life. These are the friends who will lie for you, stage-manage your romantic life, and absolutely never let you forget the time you asked the best man if he was the stripper.
A disaster-prone bridesmaid comes face to face with the man she swore she'd never see again - one gloriously uninhibited night ago - when the bride seats them together at every event of wedding week. A junior architect joins her colleagues' secret romance book club, only to find this month's novel is a play-by-play of her own one-night stand, written by the man sitting across the room.
Every heroine in the circle has armour: self-deprecating jokes, perfect composure, a well-rehearsed performance of "fine". And every one of them meets someone who sees straight through it - and stays anyway.
Maisie's Circle delivers laugh-out-loud British romantic comedy: messy, relatable heroines, heroes who match them quip for quip, second chances nobody saw coming, and grand gestures in front of two hundred wedding guests. Warm, funny, and hiding real feelings underneath the punchlines.
Each book is a complete interconnected standalone with a different couple and a guaranteed HEA. Read in any order.
5 books · View the series
Ongoing
Malani
They said yes to each other in front of everyone, for reasons they can each state out loud, with their families' full and delighted involvement. That is where these books start, not where they end. Malani is a series of standalone arranged-marriage romances set in one extended, wealthy, interconnected South Asian family network across London, Delhi and Mumbai — cousins, business partners, and a shared set of aunts who arrange everything and are right more often than anyone will admit — so the couple from one book turn up married and bickering happily at the edge of the next.
Every book covers the first year: two courteous strangers with a shared bedroom, learning each other's bodies and tempers from scratch, in the correct order for them and the wrong order for a novel. Nothing is pretended. This is not a fake marriage, not a marriage of convenience with a secret contract, and not two people forced to the altar. The tension is never will the lie be discovered; it is we are married, and I do not yet know what you like.
The heat lives in restraint in public and appetite in private. In front of the family they are correct, mildly formal, touching almost not at all — which is exactly what a hand at the small of a back means when eleven relatives are watching. Alone, he asks is this all right every single time and means it, because they are strangers, and everything she wants she has to say out loud to a man who listens and takes his time. The arc runs from a careful, slightly awkward first time to somewhere neither of them would have said out loud in month one, and it is explicit and warm all the way.
Nobody is escaping their culture here. No runaway bride, no family cast as villain, no premise treated as a cage. Conflict comes from inside the marriage and from ordinary family pressure, and the wealth is texture, never leverage. Every book stands alone, so start anywhere in the family — though most readers begin with A Perfectly Good Yes and fourteen days in a shuttered hotel above the sea at Galle.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
3 books · View the series
Ongoing
Marlcaster
Marlcaster is an English county town of forty thousand: a market cross, half the shops on the main street shut, and a trade world where everybody's father knew everybody else's. Money is discussed plainly and in public here. A name over a door means something, a builders' merchant's word carries further than a bank's, and what a man is said to have done with his money goes round the town before it goes round a family.
These are romances about settled, competent adults — chefs, builders, dealers, the people who actually run a town like this — falling for the one person it will cost them the most to want. No manufactured misunderstandings, no games. The obstacle is never whether they feel it. It's what wanting each other says about them in front of a town that has already decided what it thinks — and the correction, when it comes, has to be made out loud, in a public room.
The charge is built the slow way, across ordinary rooms: a delivery signed for, a rota argued over at a kitchen table, a plate eaten standing at the pass at eleven at night. Then the door opens. Explicit, open-door heat — praise-forward and unhurried — between people who mean every word of it.
Marlcaster is a series of standalone romances sharing one town and one rule: every book ends in a hard-won, unambiguous HEA, earned in front of witnesses. Fall in love with the town, then watch it fall in love with the next pair.
Read in any order. Start with Terms of Her Own — the book that opened the town.
British romance · small town · age gap · father's best friend · slow burn · open-door explicit · guaranteed HEA.
3 books · View the series
Ongoing
Marrowvale
There is a market square, a guild hall with a clock that runs four minutes slow, and a road with a forge on either side of it. Humans hold the lower ground and the trades; the orc steadings sit up the valley side, keeping their own quarrels politely, at shared tables, for centuries at a time. A forge-hearth in this valley is guild property held in trust, and the trust passes to a household, never to a person — which is how an unmarried heir can find herself forty days from losing her fire, and why whose road an orc sleeps beside is a matter of law.
Marrowvale is a series of standalone orc romances set along that one road. Every book pairs a human woman with an orc man across a different trade and a different piece of courtship etiquette nobody thought to explain to her. He is enormous, genuinely dangerous, and holding himself very still: the valley steps aside for him, and the tenderness is reserved for exactly one person, which astonishes them both. She is curvy, competent, and wanted in every scene, out loud and without apology.
The bond tells them they would suit. It compels nothing and decides nothing; it only tells each of them how much the other wants, so that neither can pretend, and not yet is a real answer that costs and closes nothing. Courtship runs by rite and in public — the gifts in their order, the stone carried once in a life and never twice — with the aunts witnessing and scoring the form aloud, because what is spoken before the aunts stands forever. Expect open-door heat, warm and unhurried, with the size difference choreographed into every scene. No cliffhangers. No captive brides. No coercion as the engine.
These are books about households, harvests, in-laws, and a market town that behaves like a small country with its own foreign policy. The comedy of two peoples getting each other's manners wrong is seasoning; the register is heat and menace held in check. Every book stands alone, so start anywhere in the valley — though readers who begin with The Orc's Paper Wife tend to stay for market day.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
6 books · View the series
Ongoing
Quill and Bone
Ansell College is small, old, cold, and has more endowment than students. Quill and Bone is the two-hundred-year-old candidate society that keeps its private papers — which is the society's real power, because it knows what everyone's grandfather did.
The house has one religion: the record. Everything it does goes in the minute book, signed and timed. Everything it holds is meant to be kept forever. And every candidate moves on the same old clock — tapped in the autumn, sworn at midwinter, released or kept at the spring vote — through long legitimate hours alone in a cold strong room, in gloves, under a rule that says every hand on every box is written down.
Which is a great deal of enforced proximity for two people who are not supposed to want anything.
The house is also, as of recently, publicly compromised — caught selling what it swore to keep, and now running an open register it never wanted, an outside audit it was forced to hire, and a quiet, well-bred fury about both. Its own rules keep cornering it, because it wrote them.
Quill and Bone is a series of standalone dark academia romances, each taking one candidate through one year with a new pairing: institutions with teeth, paperwork as foreplay, secrets that are load-bearing, and explicit, open-door heat in rooms where everything is meant to be recorded. Every book ends in an HEA.
Read them in any order. Start with The Oath of Keeping.
Dark academia · secret society · forced proximity · age gap and authority dynamics · open-door explicit · guaranteed HEA.
5 books · View the series
Ongoing
Sixpenny Row
Unit four, Sixpenny Row. A tattoo studio with a piercing room at the back, on a parade of shops in south-east London that runs uphill to a box junction — a kebab shop three doors down, a launderette, a Turkish barber opposite, and a street sign that throws a red bar across the front window all night.
Sixpenny Row is a series of standalone British romances set in and around that shop. The work is the love language. Hours in the chair with a stranger's hand on you; a stencil argued over until it sits where it should have sat all along; aftercare explained twice because it matters; a price that does not move, because moving it would be an insult. These are people whose authority comes from precision — from what a trade teaches you to notice about a body, and about the person attached to it.
Unromantic about the trade. Romantic about the people in it. South-east London specifically: the trains out of London Bridge, the short lease, the letting agents who hold two more parades like it in Lewisham, and the particular intimacy of sitting still for somebody for six hours.
BMWW · interracial romance · tattoo artist romance · forced proximity · London setting · open-door explicit · guaranteed HEA.
Read them in any order. Start with Sit Still for Me.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
2 books · View the series
Ongoing
The Address
Everyone knows The Address — the tower that won the prizes, the one with the waiting list and the plaque by the door. Fewer people know what runs inside it: owners and architects, concierges and tenants, a whole building of secrets kept in writing. Here, desire has terms — negotiated first, revocable at a single word — and the tension lives in power, access, and who gets told what.
The architect who drew every line of the tower while another name went on the plaque. The owner who has read her drawings closely enough to know whose hand is on them. The night concierge who holds every resident's secrets and surrenders none of them. At The Address, the people who run the building and the people who merely live in it are never the same — and the most interesting floor is always the one the public never sees.
A high-heat, open-door contemporary romance series set in a single luxury high-rise — negotiated power exchange, moneyed wry voice, and desire acted on fast under pressure. For fans of Rebekah Weatherspoon and Tiffany Reisz.
Each book is a complete interconnected standalone with a different couple and a guaranteed HEA. Read in any order.
Odette Rue publishes additional installments of The Address on her Patreon page, including bits too naughty for us to publish.
3 books · View the series
Ongoing
The Arrangement
Behind an unmarked Manhattan door, Ardent brokers the one thing money has never been able to buy outright: an honest yes. The ultra-wealthy come to the arrangement house to negotiate companionship, protocol, and power out loud and up front - ninety-day terms, clauses read aloud, a signature at the bottom of the page. Strictly business, every time.
The women who sign are not looking to be rescued. A burned-out trauma surgeon who can close any wound but her own exhaustion signs to outsource the one thing she can't schedule: rest. An event director who runs the city's most flawless rooms without raising her voice signs to finally be the one arranged for - and discovers that obedience this clean feels like erasing the command she built her life around.
The men who match them read the terms better than the women read themselves. One strikes his own claiming clause and forbids her to be useful to anyone for the term. Another answers deliberate defiance not with punishment but with honor, reframing everything she thought she was surrendering. Inside the arrangement the power is total; outside it, they are equals - and the check-in, the negotiation, and the aftercare are all part of the romance.
Because the real risk was never the contract. It's what happens when the ninety days run out, and the only clause left is the one no contract can grant on command: asking to stay. Asking to be kept for want, not for terms.
The Arrangement delivers steamy, open-door BWWM billionaire romance - negotiated power exchange, protocol, praise, and consent that is enthusiastic, spoken, and ongoing - about formidable Black heroines who want exactly what they're signing, and devotion that turns out to be the real thing.
Each book is a complete interconnected standalone with a different couple and a guaranteed HEA. Read in any order.
13 books · View the series
Ongoing
The Ashgrove Symphony
Ashgrove Hall, Leeds. A mid-sized professional orchestra with its own board, its own players' committee, and ninety people who have sat in the same rows for years and can read a conductor's attention from the back of a section. Wet coats in the yard behind the stage door. Rosin. Parts and bowings sent out by a fixer who has been in the building since seven.
The Ashgrove Symphony is a series of standalone contemporary romances set inside that institution, and the institution is the engine. Screened first rounds where the panel cannot see who is playing. Probationary seasons on a new appointment. A players' committee, a union route, and a chief executive who runs a review straight and does not soften it. When two people in this building want each other, procedure is not the obstacle to the romance — it is the shape the romance has to take.
These are quiet, exact books about people whose whole training is attention: hearing a thin edge on a note from across a hall, noticing a half-second before a bow moves, knowing what somebody meant by how they breathed in. The heat is unhurried and the precision is the point.
Each book is a complete standalone contemporary romance with a guaranteed HEA. Read in any order — start with The Half-Second Before.
5 books · View the series
Ongoing
The Brindle
On the edge of Rendale, Illinois, ninety minutes south of the towns the guests mostly live in, there is a century-old brick hotel with a green awning: floor wax, cut lilies, a bar that keeps going to one, a free breakfast bar in the lobby, and a desk clerk who does not look up. The Brindle is not a destination and not a secret, and that ordinariness is the point. It is where people from ninety minutes away come to do the thing they cannot do at home.
The Brindle is a series of standalone hotwife romances about the established marriages that book it. Each book is a different couple of some years arriving at the same threshold for their own reasons: the pair who have talked about it for a decade only in the dark, the wife who discovers the terms she actually wants are not the ones she wrote down. The room goes in her name and on her card, and she says so. The terms get said in plain sentences, with their boots on, before anyone gets in the elevator. There is a chair by the window, and the husband sits in it, and his wanting is on the page and is never shameful.
The marriage is the love story, and it is never in danger. No cheating, no discovery plot, no jealousy as the engine. The third party is a real person with a life, treated decently, who arrives and leaves and is handled kindly on the way out. The stop-word is an ordinary domestic word that belongs to whoever will have to use it, and saying it stops everything, and nobody is embarrassed, and they all go get breakfast.
The register is grown, plain-spoken Midwestern realism: married adults negotiating appetite in daylight words, dual point of view — the wife and her husband, never the third party — and explicit, open-door heat in which his attention is part of the scene rather than a frame around it. Every book ends with the two of them driving home closer than they left. Most readers begin with Her Name on the Room and Suite 704.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
5 books · View the series
Ongoing
The Cormorant Circuit
Nine in the morning at a loading bay in Sheffield. Load-in at ten, doors at seven, back on the bus by one, and a driver who is legally asleep by two whatever anyone else has decided. This is the circuit — Manchester, Nottingham, Cardiff, Hull, Glasgow, a London finish — worked by mid-tier British bands who have two albums, no crew to speak of, and a per-leg fee that runs out in January.
The Cormorant Circuit is a series of standalone British rockstar romances set on that road. Same label, same venues, same nightliners and service stations at four in the morning; a different band, and a different woman at the centre of it, every time. The people who make a tour work are the ones nobody claps for — tour managers, backline techs, promoters, the A&R who decides whether there is an album three — and they are the ones these books are about.
Every book is one woman and three men, and she does not have to choose. What she has to do is much harder: work out whether a thing that only exists between load-in and last call can survive a January when nobody is on a bus.
Unromantic about the industry. Romantic about the people in it.
Why-choose · MMMF · British setting · rockstar romance · open-door explicit · guaranteed HEA.
Each book is a complete interconnected standalone with a different band and a different couple — one woman, three men — and a guaranteed HEA. Read in any order; start with Written Into the Rider.
7 books · View the series
Ongoing
The Falcone Block
On Federal Hill in Providence there is one block that answers to a single surname. The Falcones own the restaurant with no sign, the bakery whose brick oven has fired since 1938, the funeral home and the construction firm — and what they really run on is older than money: Sunday lunch, name days, funerals, who is asked to carry, and who sits where. Old money gone quiet. Tailoring, not tracksuits. Nobody shouts, and nobody has to.
Into that house comes one ordinary woman — a pastry cook, a bookkeeper, a nurse — hired for two days' work and expecting none of it. She has spent her working life being useful and unseen. Then she comes up from the ovens and finds a place card with her name on it, halfway up the family table, between three men who put her there on purpose. In this family a seat is a claim, the whole table has read it, and there is no giving it back politely.
Three men who owe each other something older than her — cousins, or a brother and two raised at the same table — and one obligation they have to settle between themselves. Possessive, deliberate, patient men; a woman with no leverage who says what she actually thinks; a family that absorbs everything warmly and forgives nothing on paper.
The Falcone Block is a series of standalone why-choose romances — one woman, three men, no choosing between them. Explicit, open-door heat in kitchens after close and bedrooms in houses full of relatives, and every book ends in a hard-won HEA.
Each book stands alone. Read them in any order. Start with A Seat Between Them.
Why-choose · MMMF · mafia romance · forced proximity · open-door explicit · guaranteed HEA.
3 books · View the series
Ongoing
The Havards
The Havards are dragons. Men to look at, apart from molten-gold eyes with a slit pupil and a fine line of bronze-gold scale at temple, throat and the backs of the hands; they hold their valleys and their houses quietly, pay everything on time and in full, and have stayed out of the public record for centuries. There are not a great many of them and they do not gather. A Havard runs physically hot, keeps what he has decided is his, and is not ashamed of either.
One law stands above the keeping: a thing must be given. A Havard will not take, will not shut a gate, will not buy his way to what he wants, and never raises money as an argument. The hoard is enormous, meticulously recorded and entirely his — and the only thing in it he cannot simply acquire is a person's consent. That law is the engine of every book on this line.
The Havards is a series of standalone dragon romances about that family, loosely connected, each book a different one of them and a different house — a grey-stone pile at the head of a Northumberland valley with one warm room in it, a Teesdale side-valley, a London strongroom behind a Hatton Garden lock. Every book turns on an object: a stone, a piece, a thing given, refused, returned or finally worn. He puts things on her, and he cannot be argued out of it, and she is not for sale and says so. The book is the distance between those two facts closing on her terms.
Expect opulence rather than make-do: warmth, weight, gold, silk, lamp light on metal, and heat that is explicit, frequent and unhurried, with the temperature of him in every scene. No fated mates, no bond, no compulsion; he wants her specifically, for reasons he can state. The heroine is tall, glamorous and unapologetic about enjoying being given things. The last image of every book is her wearing something she chose to keep.
Dragon shifter romance · being kept · treasure-giving · possessive hero · old money · no fated mates · open-door explicit heat · guaranteed HEA
Each book is a complete interconnected standalone with a different Havard, a different house, and a guaranteed HEA. Read in any order — though most readers begin with The First Thing He Kept.
4 books · View the series
Ongoing
The Montreal Registry
In Montreal, vampires live inside the city on an administrative licence. Lawful standing exists only while a filed registration stands in your name; feeding is legal only with a registered donor of record; and when a donor dies or withdraws, the supply list hands you a number and an estimated delay — eleven months, unattended, non-negotiable. No courts, no castles, no folklore. Just a bureaucracy that is neither cruel nor kind, and everyone it touches trying to build a life inside it.
The Montreal Registry is where the paperwork is the love story. Consent here is forms, blood panels, kitchen-table interviews and hearings — and also, always, words spoken out loud. Every yes is said standing up, in plain language. Whatever a vampire could do to a human mind, these vampires say out loud that they will not, and the books never give cause to doubt it. The power on the page is the ordinary kind — who holds the pen, who signs, who can afford to wait — which makes surrendering it mean something.
These are cold-to-warm books: winter sleet on glass, night shifts, transit, rent, and one warm thing in a cold city worth filing your name to a public register for. The erotics are temperature — warm skin against cold hands — and the register is permanent: a donor entry never comes off, and what that costs is different depending on whose name it is.
The Montreal Registry is a series of standalone contemporary vampire romances. Explicit, open-door heat; every limit negotiated in full; every book a hard-won, guaranteed HEA — human stays human, and love does the paperwork.
Read them in any order. Start with The Cold Hours.
BWWM · vampire romance · blood donors · consent-forward · explicit open-door heat · guaranteed HEA.
2 books · View the series
Ongoing
The Obsidian Club
Behind an unmarked door in Atlanta, the Obsidian Club runs on vetting, contracts, and the quiet certainty that nothing happens here that wasn't asked for first. The Dominants are unhurried, exacting, and impossible to rattle. The safewords are sacred. And the negotiation — limits, clauses, check-ins, aftercare — is not the admin around the romance. It is the romance.
The women who walk through that door run everything else in their lives. A surgeon everyone calls the best. A defense attorney who's never lost an argument. An engineer who holds up every structure but her own. A radio host half a city falls asleep to. An air-traffic controller who talks strangers safely out of the sky and has never once let anyone talk her down. Brilliant, formidable Black women with one thing in common: a white-knuckle grip they have never let anyone see them loosen.
What they find inside is not a man who takes control — it's one who holds it until they hand it over. Praise instead of punishment. A voice on the phone instead of a hand. The only key, the first line of rope, the single word meant only when it's true. Every dynamic is built from scratch, revocable at a word — and every one of them comes down to the same terrifying, liberating moment: saying the want out loud, and being given exactly what was asked for.
The Obsidian Club is a scorching, fully explicit BWWM D/s romance series where consent is the hottest thing in the room — negotiated power exchange, fierce heroines claiming their desire, and hard-won surrender that never costs them their strength.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
18 books · View the series
Ongoing
The Sworn Sagas
The whale-road is no gentle world. Winters kill, feuds outlive the dead, and old law has opinions about what a woman may hold, command, and want. The women of The Sworn Sagas - shield-maidens, ship-captains, widows holding their halls against every suitor and kinsman - answer all of it with the one weapon no Thing can outlaw: an oath of their own choosing.
Two lifelong rivals crawl from a shipwreck onto a barren skerry with nothing between them and the killing cold but shared breath and shared furs. Two captains bound by oath to one longship - one command, one oar-bench, one bed-closet - learn that to love is to hand your rival the one blade that can break you. A besieged widow pays a scarred huskarl to sleep across her threshold, and finds the only loyalty in her hall she has not had to buy.
These are scorching, open-door sapphic Viking romance novellas: fierce women, hard winters, rivalries that turn to hunger, and desire acted on rather than deferred. Every saga ends in a hard-won HEA - skin to skin, no man's leave asked.
Each book is a complete interconnected standalone with a different couple and a guaranteed HEA. Read in any order.
8 books · View the series
Ongoing
The Tarasov Bratva
The Tarasov men were raised to be weapons: a silent enforcer, a reluctant heir, a cold-eyed banker, a war-captain who knows exactly what loyalty costs. Their world runs on old debts, encrypted orders, and a code no one survives breaking.
Then each of them meets the one woman he cannot treat as a pawn.
A witness marked for death. A bride inherited before her vows are spoken. A forensic accountant who can find treason hidden in the numbers. A translator delivered across enemy lines as the price of peace. Every woman enters the Tarasov world under someone else's control. None of them stays that way.
These are dark, high-heat Bratva romances about dangerous men who turn their violence outward, capable women who refuse to disappear, and devotion fierce enough to challenge blood, family, and the pakhan himself.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA, and no cliffhanger for the romance. Read in any order.
8 books · View the series
Ongoing
The Veilbound Clans
Across the Veilbound Clans, wolves hold their territories, dragons guard their hoards, and old treaties keep ancient hungers from becoming open war. At the heart of that uneasy peace stands one law: a mate taken by force is a wound no bond can heal.
Fate can strike through a frayed scent-veil in a crowded treaty hall. It can ignite between a guarded she-wolf and the clanless blade hired to watch her. It can stop an ancient dragon cold when the woman appraising his hoard walks through the vault door. The bond is immediate, primal, and impossible to ignore - but it is never the final choice.
Every pair must decide what fate cannot decide for them: whether to step out from behind the veil, defy the contract, break the clan's claim, or risk the treasure they thought mattered most.
The Veilbound Clans is a high-heat paranormal romance series filled with fated mates, possessive alphas brought to their knees, formidable heroines, clan politics, ancient law, and desire that never silences consent.
Each book is a complete interconnected standalone with a different couple and a guaranteed HEA. Read in any order.
6 books · View the series
Ongoing
The Verrett
A corner of Dauphine Street, New Orleans. Two storeys of brick with an apartment over the bandstand and a kitchen that floods twice a decade. Odile Verrett put four thousand dollars down on it in 1962 and never explained where the money came from, and the room has been in the family and on that corner ever since.
The Verrett is a series of standalone contemporary romances set in and around a working supper club — not a landmark, a business. Payroll on Thursday. The band paid in cash because Odile paid the band in cash. Dark on Mondays for the liquor order and the books. Wednesday is the guaranteed night, the one that has never gone dark in sixty-four years, not even the week she buried her husband. Family meal at four-thirty at the two-top and the four-top pushed together at the end of the bar.
These are warm, loud, competent books about a family that argues about the building in front of the regulars, and about the people who love each other inside a set of house rhythms nobody is allowed to break. Good food, real music, forty seats turned once on a Sunday, and forty years of people who have been coming since before anyone thought to ask them to.
Black romance · all-Black cast · New Orleans · family business · found family · open-door explicit · guaranteed HEA.
Each book is a complete standalone — read in any order. Start with Married on Purpose.
3 books · View the series
Ongoing
Thrale House
The membership is women; the men are attached to them by written agreement — terms drafted, limits named, every consequence in writing. Ottoline Barrow keeps the register, and she has never once had to raise her voice. At Thrale House control is competence, protocol is intimacy, and the paperwork is not the admin around the romance. It is the romance.
The men who come to the house are formidable in the world: a long-haul captain who has never once set a weight down, an engineer called in to find what the drawings did not say, an interpreter who lives three seconds behind other people's sentences. Each of them chooses to kneel — and has to keep choosing it. The women they attach to lead, and want to: a drafter who can name any limit but her own want, a conductor who rules every cue in the room but one.
An exacting, slow, open-door female-led romance series — praise earned and rationed, stops honoured instantly and without question, and control that never has to get loud. For fans of Tiffany Reisz and Cara McKenna.
Each book is a complete interconnected standalone with a different couple and a guaranteed HEA. Read in any order.
8 books · View the series
Ongoing
Voss & Kiernan
On the sixteenth floor of a Loop building, a mid-sized Chicago architecture practice runs on a single unglamorous rule: a project has one lead, one name on the cover of the set, and one throat to choke — because at four o'clock on the Thursday of the eleventh week, somebody has to be able to say yes, do that, it's mine.
Voss & Kiernan is big enough to be shortlisted for the civic work — libraries, branches, plazas, the commissions that get argued over in committee rooms — and small enough that everyone walks the same corridor twenty times a day. Competence is the currency here. Work is judged out loud, in rooms, by people who have actually read your set. Managing partner Nadine Kiernan enforces the rule without cruelty and says good roughly once a year.
Nobody in this firm is hiding who they are. The pressure is professional, and it is worse for it: who gets the credit, who gets the partner-track step, who gets to be liked instead of promoted — and what happens when the person you cannot stop wanting is the one standing between you and the only commission that matters.
Voss & Kiernan is a series of standalone contemporary MM romances, each following a new pair through one project on one deadline: two men who are extremely good at the same job, forced into the same room by a schedule neither of them controls. Explicit, open-door heat, adults who talk to each other, and an HEA every time.
Read them in any order. Start with The Long Span.
MM romance · workplace rivals · forced proximity · open-door explicit · guaranteed HEA.
2 books · View the series
Ongoing
Yorkshire Dales
Welcome to Thornwick, tucked into the folds of the Yorkshire Dales, where the drystone walls outlast every argument, the Crooked Billet keeps your usual on the bar, and the whole village has a quiet but firmly held opinion about your life. Outsiders arrive with plans. The Dales have other ideas.
A granddaughter inherits a failing pub and the exiled London consultant determined to help her save it. A conductor comes home for her father's band championship and finds her childhood rival holding everything together. A wedding planner with a colour-coded life gets snowed in with the best man three days before the wedding. A West End director limps home to rescue the village panto — opposite the vet she left standing on the station platform sixteen years ago.
Every one of them arrives in Thornwick intending to keep their head down, fix the problem, and leave. Every one of them is wrong about at least two of those things. Around them, pub regulars, band members, parish councillors and one very judgemental pub dog notice everything weeks before it is spoken — and meet it with tea, mild interference, and room made at the bar.
The Yorkshire Dales series delivers warm, funny, closed-door contemporary romance: second chances, found family, village gossip as a love language, and the discovery that staying put can be the bravest choice of all.
Each book is a complete interconnected standalone with a different couple, a guaranteed HEA. Read in any order.
7 books · View the series
