A sample from
Maid of Disaster
The thing about being a bridesmaid is that no one tells you about the weaponized taffeta.
Maisie Reynolds stared at her reflection in the full-length mirror that had lived in the corner of her childhood bedroom since she was fourteen, and tried to find something positive to say. The dress was pink. Not blush, not rose, not any of the sophisticated names for colors that almost worked. This was pink. Aggressive pink. Flamingo-on-a-stag-do pink. The kind of pink that didn't ask permission before entering a room because it had already kicked the door down.
"You look amazing," said her sister, lying through her professionally whitened teeth.
Gemma was perched on the edge of Maisie's old single bed, the one with the duvet cover their mum had refused to replace since 2012. She was visiting their parents for the weekend, which meant Maisie was also visiting their parents for the weekend, because their mother had deployed the phrase "both my girls under one roof" with the tactical precision of a guided missile.
"I look like I lost a fight with a cupcake."
"You look like a bridesmaid."
"Same thing."
The dress had a sweetheart neckline that was doing something unfortunate to her cleavage and a full skirt that rustled when she breathed. There was a decorative sash, because apparently plain pink wasn't enough commitment to the aesthetic. The fabric was stiff and unforgiving, the kind that would photograph beautifully and feel like wearing cardboard for eight hours.
She was going to kill Chloe. She was going to stand at the altar, watch her best friend marry the love of her life, smile for four hundred photographs, and then she was going to kill her with the decorative sash.
"Turn around," Gemma said. "Let me see the back."
Maisie turned, and caught sight of the tattoo peeking out above the low-cut back of the dress. Comedy and tragedy masks, intertwined, inked on her shoulder blade in black and grey. She and Chloe had got matching ones during Freshers' Week, drunk on cheap wine and the conviction that they were very clever. "Because we're both pretending to have our lives together," Chloe had said, gripping Maisie's hand while the needle buzzed. Chloe's was on her hip, hidden. Maisie's was visible in this dress, a permanent reminder that she'd been performing for the audience since she was eighteen years old.
The comedy mask was supposed to be the happy one, but Maisie had always thought it looked slightly terrified. Like it knew the joke was about to land wrong.
"The tattoo shows," Gemma observed.
"I'm aware."
"You could cover it with makeup."
"I could also set myself on fire and call it a fashion statement."
Gemma's lips pressed together. The silence that followed was pointed, surgical. She hadn't properly spoken to Maisie since the viral toast at her wedding fourteen months ago. Oh, they spoke. They exchanged pleasantries. They texted happy birthdays and sent links to things they thought the other might like. But they didn't talk, not really, not the way sisters were supposed to.
You're exhausting, you know that? Gemma had said once, years ago, in the cold, flat voice of someone stating fact rather than opinion. You suck all the air out of the room and then act surprised when the rest of us can't breathe.
Maisie had been twelve. She'd never forgotten.
She turned back to face the mirror, smoothing the taffeta over her hips. The fabric made a sound like tissue paper crumpling. In the cramped terraced house where she'd grown up, surrounded by the familiar smells of their mum's casserole and their dad's cigarette smoke that clung to the furniture despite years of him quitting, Maisie felt approximately six years old and entirely too big for the space.
"I look like a carnation gained sentience and immediately regretted it."
Gemma almost smiled. Almost. "It's not that bad."
"It's exactly that bad. Chloe sent me the color sample and I thought, right, this will be fine. It's one day. I can survive one day in aggressive pink. But I didn't account for the volume." She gestured at the skirt, which took up roughly half the available floor space. "I'm going to need a separate seat on the train. I'm going to have my own postcode."
Her phone buzzed on the dresser. She lunged for it, grateful for the distraction, then felt her stomach drop as she read the text.
Chloe: Please, for the love of God, don't cause a scene.
Three dots appeared, then another message.
Chloe: I love you. You know I love you. But I will bury you in the lake.
Chloe: Mum's already on her second bottle. I cannot handle another disaster.
Maisie stared at the screen. The word another sat in her chest like a stone.
She typed back: Wouldn't dream of it. I'll be on my best behavior. Promise.
The lie tasted familiar. She'd been making that promise her whole life, and she'd broken it every single time.
"Chloe?" Gemma asked.
"Just checking in about the travel arrangements." Another lie. They were stacking up.
Gemma stood, brushing invisible lint from her jeans. She was wearing the kind of outfit that looked effortless but had probably been assembled with military precision: fitted white shirt, dark jeans, ballet flats. Everything appropriate. Everything in its place.
"I should go help Mum with dinner."
"Right." Maisie watched her sister's reflection move toward the door. "Gemma."
Gemma paused, hand on the frame.
"I'm going to be fine. At the wedding. I know what's at stake."
Her sister's expression didn't change, but her eyes flickered—hope, or exhaustion, or simply the weight of too many similar conversations. "I know you'll try."
She left. Maisie stood alone in her childhood bedroom, surrounded by posters of bands she no longer listened to and photos of friends she'd lost touch with, wearing a dress that cost more than her monthly food budget and made her look like a botanical experiment gone wrong.
One more disaster and she loses everything. The thought circled her mind like a shark. Chloe's friendship. Her reputation, such as it was. The last shreds of her family's patience.
She'd been a disaster at Gemma's wedding. She'd stood up to give the maid of honor toast, three glasses of champagne into convincing herself she was being charming, and she'd told a story about Gemma's teenage crush on a boy called Derek that had seemed affectionate in her head and devastating in execution. The video had gone viral. Three weeks of being "that bridesmaid." Three weeks of comments ranging from "iconic" to "narcissistic nightmare" to "imagine having a sister this desperate for attention."
Gemma's wedding was now shorthand for disaster. Don't do a Gemma's wedding had become actual vocabulary in their family.
Maisie sank onto the edge of the bed, the taffeta pooling around her like pink quicksand. She pressed her palm flat against her stomach, trying to still the churning anxiety that lived there permanently now.
She would be different this time. She had to be.
The woman in the mirror looked back at her, ridiculous and terrified in equal measure. The comedy mask on her shoulder blade caught the late-August light from the window.
Pretending to have our lives together.
She hadn't been pretending, back then. At eighteen, she'd genuinely believed things would work out. That she'd grow into someone who didn't say exactly the wrong thing at exactly the wrong moment. That her chaos would eventually smooth into something livable.
Now she was twenty-eight, a drama teacher who told other people's stories because she couldn't seem to get her own right, and she was about to spend a week at a fancy Lake District hotel with her best friend's entire extended family and whoever the best man turned out to be.
Please don't cause a scene.
She could do this. She could be calm. Appropriate. The kind of bridesmaid who blended into the background and didn't make the wedding video go viral for all the wrong reasons.
The dress rustled as she stood. In the mirror, the carnation that had gained sentience and immediately regretted it stared back at her.
"Right," she said to her reflection. "Let's go be someone else for a week."
That night, Maisie packed. She folded her sensible outfits and her emergency pajamas and her one good pair of heels that she'd worn exactly twice. She packed her anxiety medication and her backup anxiety medication and a book she probably wouldn't read because her brain couldn't settle for more than three paragraphs at a time lately.
And she packed the dress.
It hung on the back of her door now, a pink accusation in the dim light from the street outside. Tomorrow she'd take the train to the Lake District. Tomorrow she'd start being the version of herself that didn't ruin things.
You're exhausting, Gemma's voice whispered in her memory.
Too much, Tom had said when he'd left. I want something easier.
Just be normal for once.
Maisie switched off the lamp and lay in her childhood bed, listening to the familiar sounds of the house settling around her. Her parents murmuring in the living room below. A car passing on the street. The particular silence of a place that knew all her worst moments.
She thought about Chloe, who had seen her at her most chaotic and chosen her anyway. Who had asked her to be maid of honour despite everything, because that was the kind of friend Chloe was.
She thought about the week ahead, the forced proximity and the formal events and the endless opportunities to say the wrong thing.
She thought about the dress, hanging like a sentinel, waiting to turn her into someone people noticed for all the wrong reasons.
I can do this, she told herself. I can be different.
The comedy mask on her shoulder blade seemed to laugh at her in the darkness.
Outside, a car alarm went off, and Maisie lay awake for another hour, practicing being calm.
Thornwood Manor announced itself with the kind of Victorian grandeur that made Maisie immediately regret not packing a better coat.
The building rose from the Lake District landscape like something that had existed before the fells and would outlast them all: honey-coloured stone, mullioned windows catching the Monday afternoon light, ivy creeping up the east tower with the patience of centuries. Late August, five days until the wedding, and already exhausted. It was the sort of place where Chloe Whitmore would, naturally, be getting married. Where someone like Chloe would always be getting married. Meanwhile, Maisie Reynolds from Wythenshawe was attempting to retrieve her suitcase from a taxi boot while a garment bag the size of a small parachute tried to strangle her.
"Need a hand?" the taxi driver asked, in the tone of someone who absolutely did not want to give a hand.
"I've got it," Maisie lied, wrestling with the taffeta monstrosity that had somehow expanded during the three-hour journey from Manchester. The dress was a living thing, she'd decided. A pink, sentient disaster that existed solely to remind her of every mistake she'd ever made. Including, but not limited to, this one.
She managed to extract herself from the vehicle with most of her dignity intact, dragging her suitcase behind her while the garment bag fought for supremacy across her torso. The taxi pulled away with unseemly haste. Maisie stood in the gravel drive of Thornwood Manor, surrounded by her chaos, and tried to remember why she had agreed to this.
Normal. Be normal. Don't ruin this.
Right. Because Chloe had asked, and Chloe was her best friend, and Maisie would walk through considerably worse than a week in taffeta for the people she loved. Even if walking through it was, at this precise moment, physically challenging.
The manor's entrance involved a series of stone steps that seemed to multiply as Maisie approached. Her suitcase caught on the first one and refused to budge. She yanked. It yielded, then rolled backwards, taking her with it. The garment bag swung wide and nearly took out a decorative urn.
"Bugger," she said, with feeling.
No one emerged to assist. The stone walls regarded her with aristocratic indifference. Somewhere inside, Chloe was probably arranging seating charts or sampling canapes or doing whatever brides did in the countdown to their perfect weddings. Maisie was out here, fighting for her life against her luggage.
She made it through the entrance on the third attempt, dragging everything behind her like a particularly undignified wedding train. The lobby was all gleaming wood and tasteful art and the kind of hush that suggested everyone inside had their lives considerably more together than she did. A chandelier sparkled overhead, because of course it did. A receptionist in a fitted navy blazer looked up with the professionally neutral expression of someone paid to witness other people's struggles.
"I'm with the Whitmore-Farrell wedding party," Maisie said, attempting to sound like someone who belonged here and not like someone whose garment bag was actively escaping toward the door. "Maisie Reynolds?"
The receptionist consulted something elegant and leather-bound. "Of course. Room fourteen, Miss Reynolds. Would you like assistance with your—"
"No," Maisie said, too quickly, grabbing the garment bag before it could make its bid for freedom. "I'm fine. Completely fine. This is all very under control."
The receptionist's expression suggested polite disbelief but she handed over a brass key attached to a wooden fob that probably cost more than Maisie's monthly rent.
"The lift is just past the drawing room," the receptionist said. "Though I should mention—"
But Maisie was already moving, propelled by the urgent need to not be seen. To get to her room, regroup, and figure out how to survive the next five days without proving everyone right about her.
The corridor was long, panelled in dark oak, and lined with paintings of people who had definitely never struggled with their luggage. Maisie's suitcase wheels caught on the carpet runner every three feet, creating a stop-start rhythm that probably announced her presence to everyone in a quarter-mile radius. The garment bag kept slipping, the dress inside rustling like something alive and distinctly irritated.
She rounded a corner.
The dress made its move.
The garment bag zipper, which had been holding on through sheer optimism, finally gave up. Pink taffeta exploded outward, catching on Maisie's arm, her shoulder, somehow her ear. The skirt unfurled with malevolent enthusiasm, filling the corridor with aggressive pink. Maisie stumbled, tried to catch the dress, knocked into her suitcase, and found herself suddenly, inescapably wrapped in approximately eight metres of bridesmaid dress that seemed determined to consume her whole.
She was fighting blind. Taffeta in her mouth, taffeta in her eyes, taffeta everywhere, a pink nightmare from which there was no escape. She grabbed a fistful of fabric and pulled, heard something rip, and froze in horror.
Please don't be the skirt. Please don't be the skirt. Chloe will actually murder me. She will bury me in the lake and no one will find my body because everyone will assume I deserved it—
"Are you—" A voice. Male. Carefully controlled amusement. "Do you need—"
"I'm fine," Maisie said, from somewhere inside the dress. "This is a deliberate fashion choice. Very avant-garde. You wouldn't understand."
A hand appeared in her field of vision—or rather, in the gap between taffeta folds where her field of vision ought to be. Long fingers, clean nails, a glimpse of white cuff.
"May I?"
Something about the voice made her pause. It was warm and precise, the kind of voice that suggested expensive education and careful choices. It was also, somehow, familiar.
"Please," she managed, because she had no choice and also she was possibly suffocating.
The hand took hold of the dress and lifted. Light flooded in. Maisie emerged, gasping, from her taffeta prison and found herself face to face with—
Oh no.
Oh no.
He was tall, his hair slightly mussed as though he'd been running a hand through it. His suit actually fit, in that way suits fit people who had tailors rather than Debenhams sales. His expression was—
Looking at her with an expression that started as polite confusion and rapidly shifted to recognition and then to something that looked a lot like horror.
Maisie's brain caught up with her eyes approximately three seconds too late.
Six weeks ago. A hotel bar in Manchester. A decision to be someone else for a night. His laugh at her jokes—real laughter, not polite. His hand, warm on her waist. The way his attention had made her feel interesting rather than exhausting.
The way she'd left before dawn, convinced that morning light would ruin everything.
"Please tell me you're the stripper," she said, before her brain could catch up with her mouth.
A beat of absolute silence.
"I'm the best man," he said.
They stared at each other. The dress pooled between them, a pink accusation. Somewhere in the distance, a clock chimed the hour, because apparently this moment needed soundtrack accompaniment.
His name, Maisie's brain supplied helpfully. You never asked his name. You asked about his job and his opinions on eighties cinema and whether he thought the universe was fundamentally chaotic, but you never asked his name, because asking felt like commitment and you weren't staying for breakfast.
"Oliver," he said, as if reading her mind. "Oliver Chen. We've—"
"Met," Maisie said. "Yes. I remember."
She remembered considerably more than that. She remembered the hotel room, the confident way he'd kissed her, the surprised sound he'd made when she'd pushed him back onto the bed. She remembered the way his composure had cracked, just for her, and the way that had felt like a gift.
She also remembered crawling out of that bed at 4 AM, gathering her clothes in the dark, and leaving without a note because she couldn't bear to watch the morning light reveal everything wrong about her.
"You're—" Oliver seemed to be searching for words. The carefully controlled man in the suit was gone; in his place was someone who looked genuinely blindsided. "You're the bridesmaid."
"Maid of honour, technically." Maisie grabbed for the dress, which was threatening to escape again. "And believe me, this wasn't—I didn't know you'd be—Chloe never mentioned—"
"She didn't mention you either."
"Well. That's probably because I never—" She stopped. "I didn't exactly—"
"Tell her your name?"
The question hung between them. Maisie felt heat rising to her face, which meant she was probably turning the same colour as the dress. Mortification pink. Disaster pink.
"I'm also clinically incapable of not saying the worst possible thing in any social situation," she said, because apparently she had learned nothing from her twenty-eight years of experience, "so—welcome to my nightmare."
Oliver's expression did something complicated. For a moment, she thought he might laugh, and the memory of his laugh—real, surprised, like she'd caught him off guard and he'd liked it—hit her with unexpected force.
"The groom's university friend," he said, as if providing information she should have asked for six weeks ago. "James and I were at Cambridge together."
"Right. Of course." Maisie tried to stuff the dress back into its garment bag, but the zip was broken and the taffeta was refusing to cooperate. "That's—that's great. That's really great. I'm sure you'll give an excellent speech. Very composed. Very—"
Warm, her brain supplied. His grip was warm. His hands on your waist, steadying you, the way no one had steadied you in so long—
She shut that thought down with extreme prejudice.
Oliver was watching her struggle with the dress. His expression had smoothed into something more controlled, the mask she recognised from that night—before she'd got past it, before the hotel room, before everything.
"Can I help with—"
"No. Absolutely not. I've got this completely under control."
The dress disagreed. It surged outward again, and Maisie found herself fighting taffeta while Oliver Chen, the man she had slept with exactly once and assumed she would never see again, watched with an expression caught somewhere between concern and badly suppressed amusement.
This was fine. This was completely fine. She was simply going to spend the next five days co-existing with a man who had seen her naked, at her best friend's wedding, while wearing a dress that seemed to be actively trying to kill her. Everything was absolutely fine.
"I'll just—" Oliver gestured vaguely toward the corridor. "I should—"
"Yes. Go. Please. I'm begging you."
He didn't move. That was the problem with well-mannered men in suits that actually fit—they didn't leave when you told them to. They stood there, being annoyingly gracious, while you wrestled with your demons and your bridesmaid dress and the memory of what their hands had felt like.
"Maisie."
The way he said her name stopped her mid-struggle. He said it like he'd been thinking it. Like he'd spent six weeks not knowing if it was even real.
"I—" He paused, and she watched him choose his words with the care of a man who always chose his words carefully. "I'm glad you're here."
"That's a lie and we both know it."
"It's not." A beat. "It's inconvenient and probably going to blow up in our faces and I have no idea how we're going to get through this week without someone finding out, but I'm—" He stopped. "I'm glad it's you."
The honesty of it caught her off guard. She'd expected anger, or embarrassment, or at best a mutual agreement to pretend the whole thing had never happened. She hadn't expected him to look at her like that. Like she was a complication he wanted anyway.
"You're very strange," she said.
"I've been told."
They stood there, the ruined garment bag between them, the dress sprawling like a chaperone determined to prevent any contact. In the distance, she could hear other guests arriving, voices in the lobby, the sounds of normal people having normal wedding weeks that didn't involve surprise encounters with one-night stands.
"We should probably talk," Oliver said. "About how to—"
"Pretend this never happened?"
"I was going to say 'navigate the situation,' but yes."
Maisie finally managed to gather the dress into something approximating a bundle. It looked like she was smuggling a flamingo. "Look. Your secret's safe with me. I have no interest in anyone finding out that I—that we—" She couldn't finish the sentence. "Chloe threatened to bury me in the lake if I caused a scene. I'm taking that threat seriously."
"Chloe wouldn't actually—"
"Chloe would absolutely actually." Maisie hoisted the dress bundle higher, blocking Oliver from view, which was a blessed relief. "So. We're strangers. We've never met. This conversation didn't happen."
A pause. "We could say we're old friends."
"What?"
"If anyone asks how we know each other. University friends who lost touch. It's easier than outright denial."
Maisie peered around the dress. Oliver's expression was entirely reasonable, which made her deeply suspicious.
"You want to create a fake backstory? For the two of us? To maintain a lie?"
"I want to survive the week without either of us being the subject of wedding gossip." He adjusted his cuff, a small, nervous gesture that didn't match his composure. "My father arrives Thursday. I'd rather not have him discover I've been involved in any kind of—"
"Scandal?"
"Complication."
Something in the way he said it made Maisie's chest tighten. She remembered him mentioning his father that night, briefly, dismissively, in the way people did when the subject was too heavy for pillow talk. She hadn't pushed. She never pushed. Pushing meant staying, and staying wasn't in the plan.
"Fine," she said. "Old friends. Lost touch. Perfectly innocent reunion. I can do that."
"Can you?"
"I'm an excellent liar when properly motivated."
Oliver's mouth did something that wasn't quite a smile. "Good to know."
End of sample. The story continues in the full edition.